Part of the reason for my lack of posts recently is that my painting world has been rocked by Morgan Weistling. I picked up his (excellent) 10-hour oil demo last month, and its made me look at a lot of my own procedures and re-evaluating them. He paints with little tiles of colour, and the effect that gives is something I'm interested in finding in my own work. It's new to me, and it's a little scary. So here's a Weistling study.